It's all about the music

Prelude: A musical life before tango

Steve Morrall started to study music when he was 7 years old. When he asked his parents for a piano, they assumed it was the passing whim of a young boy, so they told him he could have a piano if  he passed a music theory exam. Steve attended evening classes where the other students were twice his age and size. He passed a grade one theory of music exam a year later. 
Several instruments, many exams, performances, compositions (see below) and more than three decades later, he heard Argentine tango for the first time.
It was Osvaldo Pugliese's "A Evaristo Carriego". The marvellous genre of Argentine tango music has been fascinating him ever since. The music of Pugliese often features in his musicality classes at Bramshaw and around Europe. The "Story of A Evaristo Carriego", shown below, is a visual aid from one of these classes.
Discovering the story-line in music

Steve encourages dancers to move more expressively by encouraging them to imagine and describe a musical story with their movement. "We need to be interpreters and dreamers as we move".  

This video was produced to illustrate the imagined story that Osvaldo Pugliese's music suggested to him. When it has been played to audiences over the last few years, the room has erupted into spontaneous applause. I hope it inspires you to find musical story-lines as you dance.
Original compositions by Steve Morrall

As a composer of music, Steve writes and performs as a musical story-teller, crafting ways that the music conjures up emotions and meaning, time and place, suspense and resolution.

His ongoing musical project "The Song of Your Name" makes spontaneous, improvised music from notes derived from the letters of someone's name. This abstract process allows him to listen for a story line that the arbitrary music notes suggest to him and then try to musically finish the story that the notes started. There are some examples in his SoundCloud list alongside.

Immerse yourself in 4 hours of tango music

Spotify is a free music listening service (with an adverts every 30 minutes) or ad free if you choose to subscribe. It has a huge library of tango music making this remarkable genre accessible to anyone with a computer running the Spotify program. Just over ten years ago, access to this kind of tango music resource was limited to wealthy collectors with access to Argentine vinyl records.

Alternative Music Why play alternative music?

The soundtrack of a milonga 

This Spotify playlist has been organised in tandas of three tracks separated by a cortina (see track 4).  A tanda is a group of tracks of a similar nature from the same orchestra. This allows dancers to choose orchestra styles to dance to based on the first track of the tanda and remain on the dance floor for the rest of the tanda.

A cortina (literally 'a curtain') separates the tandas, giving dancers time to return to their seats and creating a natural pause between tandas of different energies and styles.

Tandas of three tracks (see tracks 1 - 3) play for around 10 minutes. This style facilitates a faster change of partners if there are more women than men. The dancers-in-waiting feel more included in the social dancing and the energy of the milonga is kept buoyant. If a milonga is attended by equal numbers of men and women, four track tandas are more appropriate.
  • Hey Steve, which orchestras do you recommend for a newcomer to Argentine tango?

    I recommend a choice of tango from three orchestras where you are likely to hear these qualities:

    Francisco Canaro for a clear steady beat;

    Carlos di Sarli for beautiful melodies;

    Enrique Rodriguez for both the above.

  • So what if I don't like old Argentine tango music? Why is it so special?

    The Golden Age of tango from 1935 to 1955 was probably the single most concentrated period of focus by virtuoso musicians to develop a musical genre specifically for dancers whilst performing alongside the dancers. 

    Tango dancing is ALL about the music. The tango music from this period can be a little strange to our ears when your start to dance, but as you listen and get 'tuned' in, you will find that the music perfectly frames the structure and expression of the dance. It is no surprise that the opposite also applies: that tango dancing perfectly frames the structure and expression of the music. It is a symbiotic relationship.

  • Here are some tips if you find some orchestras, like Pugliese and Troilo hard to dance to.

    The music of Pugliese marks the pinnacle of develop of Argentine tango music for dancing from 1935 - 1955. Beyond this date, the orchestras started to perform and record for a listening audience. You may inadvertently be dancing to late tango music that is too complex and not intended for dancing. Tango music evolved and developed over the decades to keep dancers excited and engaged about dancing. The development naturally added layers of complexity to the structure of the music, and the influenced the styles and idiosyncrasies of the orchestras. Choose your orchestras to dance to carefully. Build your confidence and understanding by listening and dancing to the more straightforward orchestras of the Golden Age like Canaro, di Sarli and Rodriguez, then explore, among others, Calo, Fresedo, Tanturi, D'Arienzo and Lomuto before getting into the more complex sounds of Troilo and Pugliese. 

Carlos di Sarli
At Tango UK you will be working with a lifelong music and creative designer who continually develops ideas and styles of presentation and interactive learning to make the music of the golden age of tango come to life. Good dancing requires a good understanding of the music. With this understanding dancers can relax and start to make their movement gestured and full of expression. Here is an extract from a dance class on Angel D'Agostino:

Exploring the genres of Argentine tango: Milonga and Vals

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